Kantara 2022 Dual Audio (Kannada-Telugu) Free Download


Dekhiye Rishab Shetty ke dwara nirdeshit ek sanskritik drishyavaan film Kantara ki humari review. Yeh film Shiva ke kahani ka varnan karti hai, jiski vaani aur paramparao ka samman raksha karna uske liye ek param prathamikta hai. Adhik jaankari ke liye padhein!





Kantara ek aisi film hai jo parnparik hero-villain trope ko todta hai. Rishab Shetty ki anokhi nirdeshan aur ashokdaayi abhinay se yukt yeh sanskritik drishyavaan natak humesha yaadgaar rahega. Shiva ke saath judein aur unke purvaajon ke prachin animistic vishwas ka samman karein.

Kantara, ek Rishab Shetty dwaara banaai gayi film hai, jo ki visually stunning aur engaging masterpiece hai aur nationwide Hindi aur aur kai anya bhaashaon mein release ki gayi hai.


Is film mein history, myth, folklore, drama, aur expertly choreographed action sequences ko seamlessly blend kiya gaya hai, jo ki ek authentic aur compelling cultural context ke saath hai.


Rishab Shetty, jinhone is film ko write, direct aur act kiya hai, ne ek visually sumptuous aur immersive spectacle craft kiya hai, jo audience ko shuruwat se hi captivate karta hai.

Kantara 2022 Dual Audio


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Shetty, jo ki film ka director bhi hai, usne screenplay likha aur lead role bhi play kiya hai. Script perfect hone se thoda sa peeche hai, lekin kaafi majboot aur vibrant hai, jiski wajah se yeh mass entertainer ban gayi hai jo ki visceral, rousing aur unwaveringly riveting hai.

Kantara bahut se kaaranon se ek incredible film hai, lekin on-screen performers, jinhe Shetty acche se lead kar rahe hain, sabse prominent hai. Shetty ka performance ek powerful punch pack karta hai, jo audience par lasting impact chhod deta hai, film ka course khatm hone ke baad bhi.

Film scorching pace se start hoti hai. Pahle 15 minutes mein divine spirit jo forest ko watch karta hai aur stirring Kambala buffalo race ka introduction film ke tone ko set karte hai. Sensory overload ke saath comfortable ho jaane mein thoda time lagta hai.


Lekin jab do aur aadhe ghante ke film ke design – visual aur aural dono – apne splendour mein reveal hote hai, tab sab kuch apne jagah par aa jaata hai aur audience ko Kantara (arthath “mystical forest”) universe mein spellbinding kar leti hai.

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Kantara 2022 Dual Audio


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Film ka potent drama coastal Karnataka ke ek village mein hai, jahan social aur divine power dynamics, jo kayi saalon se play mein hain, par focus hai.


Seemingly benign feudal lord logon par unlimited aur unquestioned authority rakhta hai, aur wo villagers ke liye best decide karta hai aur villagers uski baat maan lete hai.


Kantara film kaafi tezi se shuru hota hai jahan ek divya aatma aur ek khushnuma Kambala buffalo race film ke pehle 15 minute mein hi dikhai dete hain.


Sensory overload se aadat hona thoda samay leta hai. Lekin jab film ka do ghanta ka design – visually aur aurally – apne poore shandar roop mein pradarshan karta hai, tab sab kuch apne jagah par aa jata hai aur Kantara ke jadui universe mein audience ko khincha jata hai.

Kantara 2022 Dual Audio


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Yeh shaktishali natak ek tatparya par tika hua hai, jo ki saalon se ek kinara Karnataka ke kuch gaon mein chalta aa raha hai jahan ek shaant saukha zamindar logon par anant, beparcha samrajya chala raha hai. Vah logon ke liye jo sahi hai, vah unki marzi se tay kar deta hai.


Logon ke beech aastha aur khauf ke mohre chalte hain. Iske alava Kantara ke plot mein ek tanav hai jo ki vanvaasiyon ke adhikaron ke khilaaf khada hota hai, jinke gharon mein saal-saal se vaas kiya jata hai.

Mukhya bhumika mein, Shetty ke pradarshan mein dhamakedaar energy dikhai deti hai jahaan vo bhediya daud ke aur shikari ka kaam karte huye dikhate hai. Vo ek aag ke saath jalta hua naya nayak hai jiske paas ek maqsad hai.


Yah naya nayak apne khud ke bhayankar sapno ka samna karta hai – jisme vah bhagwaan ko dekhata hai jo uski zindagi ke andar raaj karta hai aur use hamesha daraata hai.


Yah sapne uske aaram se khoon ke ansu rote hain aur usse uske tezi par kabu rakhne ke liye uske jalte hue krodh ko nikalne ki aavashyakta hoti hai.







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Uski joshila prateekshan, unhe khone ke dar ko badhaate huye, usse takraav ke raaste par le jaata hai jahan vah shakti ke saamne aana chahta hai, vah log jo khaas taur par usse nuksaan pahunchate hain aur uski maa Kamala (Manasi Sudhir) bhi usse rokti hai.


Vah apni naakaam koshishon ke saath khatarnak jaanwaron ka shikaar karta hai – jo uske sulagne wale sapnon se juda hua hai – aur zamindar ke paltu logon se hinsak takraav karta hai.


The actor-director ne banaaya ek jhatke-daar aur bada personality waala character jiski fiery personality film mein chalne waale tension ko fuel karta hai.


The young man hamesha ke liye on edge rehta hai aur gaon ko un logon se bachane ka faisla leta hai jo deshi logon ko unki waaris zameen se mahroom karne ki koshish karte hain. Conflict government officials ke refusal se uthta hai jab wo gaon waalon ki forest ownership ko acknowledge nahi karte.

Kantara, ek extraordinary scope aur potency waali film, culminates hoti hai ek stunning aur yaadgaar climax mein jo sirf greatest commercial films tak hi pahunchti hai.

The cinematography by Arvind S. Kashyap aur the musical score by B. Ajneesh Loknath are stunning, working together to create an extraordinary aur unforgettable movie-going experience.

Kantara 2022 Dual Audio


Jabki tensions gaon mein boiling point tak pahunch jaate hain aur forest deity (annual Bhoota Kola ritual mein celebrated) background mein looms karti hai, tab Shiva’s struggle ki nature aur scope clear ho jaati hai.

Shiva ka sabse bada dushman hai imaandar deputy forest range officer Muralidhar (jiska kirdaar Kishore dwara nibhaya gaya hai) jo sarkar ki adhikar ko lagu karne ke liye kuchh bhi karne ke liye taiyar hai.







Shiva ka sartaj aur sahayak, malka Devendra Suttur (jiska kirdaar Achyuth Kumar dwara nibhaya gaya hai), chhote se umang bhare yuva ke saath milkar kaam karta hai. Kya shaktishaali madhyasth ki niyat saaf hai?


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Kantara ka shuruat kuchh vistrat itihaasik sandarbho ko pradan karti hai. Lekin kuchh hi der mein, script vartamaan ka vivaran deta hai. 1847 mein, Raja, Panjurli (suwar) ki bhakti mein, van ke adivasiyo ko bade ilako ke zameen de deta hai aur badhti hui shanti aur samridhi ke badle mein vishvash dilata hai.

Kayi pidhiyon ke baad, Raja ka uttaradhikari, lobh se prabhavit aur shakti ke nashit mein, chahta hai ki saari zameen pun: rajparivaar ke paas laut jaaye.


Devi ka bhavuk hokar, lambit samjhaute ka ulanghan karne par, abhi-palak ki sazaa turant mil jaati hai. Kantara ki kahani 1990 mein hai, usi saal jahan film ki kahani dikhayi gayi hai, jab sarkari adhikari gaon mein pahunche aur unhe uske zimmedaari ke antargat van ke zameen par niyantran ka hakk chheen lena hai.

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Kshetra mein prachalit kathaon aur aitihaason, aur vanvaasiyo ke sangharsh se prapt bhavishya ke vishwaas, kahani ka mool bindu hai. Film un logon ki alag-alag moolyon ka gehra abhivyakti karti hai, jinhe is film mein darshaaya gaya hai.

Shiva, ek Bhoota Kola ritual artist, ek prachin pratha ko darshata hai, lekin usne apni bhoomika apne ek cousin ko de di hai jab usne apne pitaji ke gaayab hone ka sakshy dekha jab vah devta ka apaharan ki bhoomika nibha raha tha.


Shiva abhi bhi apne kshetriya aur adhyatmik moolyon ko bachane ke liye prerna se prerit hai.

Shiva apane logon aur unke praanik vishvaas ke bhaktipurna rakshak hai, lekin vah KGF, RRR, aur Pushpa jaisi filmein mein dekhe jaane waale paramparik anivarya Alpha purush kirdaar ko anukool nahin hai, jo bade paimane par kinematograaphi ke kheto mein jhool rahe hain. Kantara isase bachta hai aur iske liye behtar hai.

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The climax mein achchha aur bure ke beech ki mahayuddh – jo ek aam taur par hero-villain ka muqabla nahi hai – Kantara ko oonchaee tak pahunchata hai.


Yeh filmon mein keval ek choti si kami hai, lekin iska parinaam bhi utna hi chhota hai. Shiva ka aakaar bahut mazboot hai, jiske karan uske charon or ke kirdaar – uske dost aur uski girlfriend Leela (Sapthami Gowda ke roop mein) – dusre technical aur kathaanuyayi pahluon kee tulana mein itne jyada sakriy nahin hai.

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Filmon ke shabd aur abhinay mein jari rakhe gaye srijansheelta ko dhyaan mein rakhte hue, koi bhi choti kamiyon ko keval choti chalakiyon ke roop mein ginane ki jarurat hai. Rishab Shetty ke prabhavashali abhinay aur prabhavshaali nirdeshan se prerit Kantara, ek atyant hi manoranjan yukt film hai. Ek anivarya dekhaney ki filmein hai…



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